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Two years into the pandemic , COVID-19 movies are now a dime bag a XII . WhileWes Schlagenhauf is Dyingaims to take a comedic approach to the whole thing , the humor does n’t always land and the picture show diminish flat in its overall execution . The film , directed by Parker Seaman from a screenplay by him and Devin Das , is lighthearted and never aim itself too seriously — even in the most mean - spirited of spot — but it lacks any spunk . While there are certainly minute that work and the mold has a lot of chemical science together , Wes Schlagenhauf is Dyingnever reaches its story or comedic potentiality .
Seaman and Das recreate fictionalize versions of themselves in this route trip funniness . The dyad — who moved to Hollywood with their friend , the titular Wes Schlagenhauf ( also flirt a fictional version of himself ) , years before the start of the film — are well - known commercial-grade managing director . Their late , a funny commercial spoofing a shoe fellowship capitalizing on the pandemic , has exhaust them and they want to try something different . After Wes , who leave Los Angeles behind a couple of year prior , calls them and says he ’s sign on COVID-19 , Parker and Devin decide to go see him . However , it ’s not a mere social call as the duo proceeds to lead off filming adocumentary - style movieon their way to Wes ’ house , much to their federal agent ’s ( D’Arcy Carden ) humiliation . What they soon discover is there are a lot of unshared emotions and secrets the trio postulate to compete with if they are to stay friends and bring in their dreams .
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The story includes a smorgasbord of interesting elements , but they never full occur together . The raillery between Seaman and Das can be funny on occasion and they definitely know how to apply their working family relationship to make comedic scenes bear out . After a while , however , even the wittiness starts to grate on the nerves . Wes Schlagenhauf is Dyingincludes a bit of commentary on the film industriousness , its absurdity , and what it charter to make a good film , but it feel half - hearted and underwhelming . The passion is plain there , but the various secret plan points , including the edifice tension and eventual conflict between the lineament , do n’t lead in anything particularly serious or worthwhile .
The photographic film toes the bank line in its comedy surrounding the pandemic ; sometimes it operate and sometimes it does n’t . There is also a thin course between the film ’s humor and cruelty . But perhaps the most frustrative aspect is that there is no meaningful payoff . There is a discrete deficiency of heart that , if use , would have madeWes Schlagenhauf is Dyinga lot better . The substantial moments between Parker , Devin , and Wes are not amplified or thoughtfully done , and having a dear scene would not have taken off from the picture show ’s lighthearted tone at all . It would have at least made the interview give care about the characters and their friendship a lot more and it ’s a missed opportunity that the moving-picture show gloss over such things , which would have added a layer of deepness .
Wes Schlagenhauf is Dyinghas genuine moment of funniness , but the account is for the most part overshadowed by its clunky execution . It ’s a collection of interesting ideas that finally do n’t come together cohesively or seamlessly . There are hint of corking potential , but the script needed to be a lot more refined .
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Wes Schlagenhauf is Dyinghad its premiere at the Tribeca Film Festival on June 9 . The film is 78 minutes long and is not rate .
Wes Schlagenhauf is Dying is a dark comedy that follow three fight filmmakers who venture on a road trip to visit their ailing protagonist , Wes Schlagenhauf . Directed by Parker Seaman , the moving picture stars Devin Das , Parker Seaman , and Wes Schlagenhauf as exaggerated version of themselves , blending material - animation friendly relationship and fictitious factor to search root word of mortality and comradeship .
Wes Schlagenhauf is Dying is a dark comedy that follows three struggling filmmakers who embark on a road trip to visit their ailing friend, Wes Schlagenhauf. Directed by Parker Seaman, the film stars Devin Das, Parker Seaman, and Wes Schlagenhauf as exaggerated versions of themselves, blending real-life friendships and fictional elements to explore themes of mortality and camaraderie.
