The Words
Not all of The Words are unique but the way they come together should provide a stirring experience for anyone fluent in nuanced literary drama.
oftentimes described as " that movie where Bradley Cooper plagiarizes,“The Wordsis much more complicated than its core premiss - as evidenced by the difficulty of marketing the film to potential viewers . The movie ’s trailers present an odd mix of romance and thriller genres but the film is actually more of a contemplative graphic symbol drama .
First meter feature article writer / directors Brian Klugman and Lee Sternthal were creditworthy for the project from page to screen and the brace deliver a lot of interesting ideas , especially for motion-picture fan who do it literary culture / genuinely enjoy recital and penning . However , with a big - name cast that includes Bradley Cooper , Zoe Saldana , Dennis Quaid , and Olivia Wilde , there are sure to be deal of filmgoers who are drawn in by familiar typeface only to be presented with a story that might rely too heavily on symbolisation to be completely satisfying .
That is n’t to say that Klugman and Sternthal are young to giving screen door filmmaking - as author they contributed to theTRON : Legacystory and Klugman has acted in numerous high-pitched - visibility projects ( Cloverfield , Mad Men , Castle ) . However , in ferry their own creation from start to finish , the pair slip up over a very o.k. stemma between render one of the year ’s more profound subject matter about living ( as well as fabrication ) and downright drown viewers in a ragbag of on - the - nozzle revelations and overly - subtle attempts at abstraction . It ’s a suitable elbow grease , specially for newbie filmmaker , but in its endeavor to say something profound about the connection between veridical life and fabrication as well as the ongoing chase of " verity " in lit , The Words , without question , will try a bit too abstract for viewer who were expecting a more traditional action / reaction storyline .
rather of the simple " Bradley Cooper plagiarizes " plot of land , The Wordsis in reality a multilayered narrative that come out with bestselling writer , Clay Hammond ( Quaid ) take from his tardy book " The Words " - about a struggling ( but gifted ) young author , Rory Jansen ( Cooper ) , who by chance fall upon a singular piece of penning and pick out to elapse the body of work off as his own . Now darling of the literary scene , Rory is thrust into the public spotlight - with no choice but to perpetuate his Trygve Halvden Lie . Fame and commercial-grade success make it easier for him to live on his literary dream ( and get his own stories published ) but he ’s kept awake at night by the fact that he ’ll never be as gifted as the writer he plagiarized . The insecurity comes full circle when he ’s face by the unsung source and tell the narration of how " the words " were purchase into the worldly concern - cause Rory to not only question his conclusion to slip but also his core understanding of what it intend to be a " true statement teller . "
While the layered narrative successfully presents the flick ’s fundamental juxtapositions ( fiction vs. world as well as genuine love vs. love of true statement ) , only two of the three threads manage to present engrossing onscreen play . The Hammond stratum , which draw up the subsequent storyline and ramble dubiety on potential connector , is work on with preachy postulation about being an source - as well as a bizarre exercise set of scene between the character and an speculative Columbia alum student ( Wilde ) . Any interesting chemistry between the two practiced performers is shadow by a number of heavy - handed , albeit still puzzling , " answers " about Hammond ’s book and character . It ’s gentle to understand the social function of the Hammond plotline and , for the most part , it serves its purpose but it ’s easily the most clumsy and likely for some , confusing , element of the ensemble .
Fortunately , the Rory layer as well as The Young Man layer both deliver unanimous performances , rich character encounters , and even some striking optic compositions that enliven tale pulse with enamor cinematography . Rory ’s bow , which successfully chronicles his transition from an idealistic would - be novelist that wants to be a celebrated generator ( with short to really say ) into a disillusioned celebrity confronted with actual " Sojourner Truth " is engrossing . Rory ’s need are especially interesting , much more sound than dewy-eyed fame / fortune , and Cooper manage to present a appealing and relatable type - in spite of a despicable and cowardly decision . Dora ( Saldana ) is also a sharp-worded motor for the narration , facilitate to march on the plot line and do as an able period of comparison for some of the big thematic elements .
The movie is distraught insinuations about author / the state of the literary humans and , as mentioned , the net chapter strike an awkward and off - putting balance between withholding and inundating viewers with data in an attack to hammer home its big " moral . " For anyone on add-in with the idea , and the literary theory behind it , the back and forth will assist digest the core subject matter but viewers hop for something more concrete will likely be pull up stakes scratch their head .
Despite an exposition - heavy kayoed layer , The Wordsdelivers on two out of the three narrative threads that it award and offers a more or less persuasion - provoking and resonant meditation on true statement - especially for anyone with an appreciation for literary writing . However , the film is non - traditional and motion-picture fan hoping for a full contained drama thriller will in all likelihood be underwhelmed by the movie ’s effort at deal large philosophical questions . Not all ofThe Wordsare unique but the way they come together should provide a soul-stirring experience for anyone fluent in nuanced literary drama .
If you ’re still on the fence aboutThe Words , control out the trailer below :
Nora Arnezeder and Ben Barnes in ‘The Words’
-
[ poll id=“374 " ]
Let us sleep with what you thought of the moving picture in the commentary section below .
Dennis Quaid and Olivia Wilde in ‘The Words’
The Wordsis Rated PG-13 for brief warm speech and smoking . Now playing in theatre .
The word is a romantic drama starring Bradley Cooper as Rory Jansen , an writer who finds a holograph and publishes it as his own . Directed by Brian Klugman and Lee Sternthal , the film explores themes of literary aspiration and the moral complexities of plagiarism , featuring performances by Zoe Saldana , Dennis Quaid , and Jeremy Irons .
