Summary

On Instagram , Simonson postedan old photograph of Gruenwald , along with a caption explain how his colleague ended up on the page as Mobius . Gruenwald glide by away tragically in 1996 ; nearly thirty long time later , hislegacy continues to be preserved by Marvel , and by former coworkers like Walt Simonson .

Walter Simoson Poked Fun At His Own Publisher With The Original “TVA”

And Immortalized Colleague Marc Gruenwald

The original incarnation of the TVA played a relatively modest part in the Marvel Universe , butthe write up of its initial development offer insight into the evolution of Marvel Comics over the years . As Walt Simonson explain , the concept was a response to what it was like working at Marvel as the caller began to see a acculturation switch . Simonson notice :

After a brief introduction 1986’sThe Mighty Thor#372 , this depiction of the TVA was elaborated on in several early 1990sFantastic Fourstories , along with the human face on the arrangement : Mobius M. Mobius .

As Simonson ’s editor onThor , Gruenwald was receptive to the joke at their employer ’s disbursement ; more than just " get " it , and allowing it to make it into the final translation of the taradiddle , Gruenwald posed for picture , which Simonson in act used as a reference in the innovation of Mobius . A Gruenwald - esque fictional character is seated in front of a monitoring gadget depicting a cameo appearance from the Hulk inMighty Thor#372,though he would later make his first full appearance inThe Fantastic Four .

Cable TVA

Simonson’s “Time Monitors” Were A Dig At Marvel’s Corporatization

Effective, If Subtle Satire

With the Time Monitors , Walt Simonson offered credit that many of the thing which made work in the comical industry alone would finally be challenged by an increasingly corporatized environs .

In their most iconic pre - MCU appearance , fromFantastic FourAnnual#24 , the TVA ’s Time monitor are describe as faceless – though notably not without personality – suit - wearing office workers , in the most direct voice of Simonson ’s original concept . Interestingly , Wal Simonson was not the writer on the number ; given the collaborative nature of Marvel ’s editorial process during that geological era , however , it can be take on he had direct involvement in the story ’s development . In any pillowcase , this was also the level in which Mobius ' optical connection to Mark Gruenwald was also in truth emphasized for the first time .

Fantastic Four Annual # 24(1991 )

A composite image of the Peanuts gang hoisting Charlie Brown and Snoopy in the air in front of black and white panels from the Peanuts comic strips

Audiences are trained to identify caustic remark that is brash , biting , and confrontational , but it just as often comes in more subtle forms . It is not always a sheer bill of indictment of something the writer is against ; in many case , satire social function as a sly " if you bonk , you know " signal from an author to a sure subset of readers . With the Time Monitors , Walt Simonson put up acknowledgement that many of the things which made working in the comic industry unparalleled would eventually be dispute by an more and more corporatized environment .

The extent to which that has come to pass is a subject for those in the diligence to say further – whether openly , in interviews , or distilled onto the page in some aspect of their late report . Marvel has , of course , grown into a substantially vainglorious corporation , as Walt Simonson poked fun at as far back as 1986;ironically , the success of the ship’s company ’s film and video adaptationsled to the comparatively hidden TVA being recontextualized , on screen , as one of the most essential aspects of MCU traditional knowledge .

Loki’s TVA Is A Natural Progression Of Simonson’s Original Concept

With Hints Of His Satirical Intent

Though he did n’t do much with them on the page , the TVA have show to be among [ Walt Simonson ’s ] most long-lasting impacts at Marvel .

Walt Simonson has had a farseeing , legendary careerin comics – and though he did n’t do much with them on the Thomas Nelson Page , the TVA have turn up to be among his most lasting impacts at Marvel . Both for how he preserved the late Mark Gruenwald ’s legacy in the form of Mobius , and for his donation to the Marvel Cinematic Universe . For an idea that began as a satire ofMarvel , it has come to be one of their most relevant pieces of on - screen traditional knowledge . While succeeding season ofLokimay be uncertain , the TVA will probably remain a fixture of the MCU for some fourth dimension to hail .

beginning : Instagram , Walt Simonson

Palpatine, Vader, and Momin

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Loki on the Sacred Timeline with his TVA family in Loki season 2

Thor #372, first appearance of TVA in Marvel canon, depicted monitoring various timelines (including a Hulk cameo.)

Fantastic Four Annual #24 cover, featuring the Four & the Guardians of the Galaxy piled up in a heap after being defeated.

Fantastic Four #354, the TVA’s faceless chronomonitors reacting to a disturbance

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Loki is a series in the Marvel Cinematic Universe following the alternate version of the titular character, Loki, after the events of Avengers: Endgame. Taken by the Time Variance Authority, he must confront his identity and choices while aiding in fixing the disrupted timeline to avert a greater threat.

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