The Collection
For unabashed fans of terror, or anyone who has enjoyed body horror offerings in the past, Dunstan has delivered a worthwhile entry in the genre.
Co - writer / music director Marcus Dunstan has promised thatThe Collectionwill extend lover of his furore - preferent horror , The Collector , an even big , better , and more terrifying moviegoing experience . The first film open in a intriguing 2009 summer spot , vie for week withHarry Potter and the Half - rakehell Princeas well asG.I. Joe : The Rise of Cobra , fly under the microwave radar . Despite minor boxful office homecoming , The Collectorstill notice its intended audience through post - release word of mouth .
Horror in the originalCollectormovie attract heavily on Dunstan and co - author Patrick Melton’sSawseries pedigree ( they pennedSaw IV - Saw 3D ): victims face a theater full of sadistic dope snare - where panic and care often ensue in gory havoc . However , inThe Collection , Dunstan and Melton exposit on the mythos by taking the report to the Collector ’s distorted ( and still booby trapped ) home base - but does a more knowledgeable ( and disturbed ) set result in a movie that can get over genre lines and win over filmgoers who are restrain by cringe - inducing body horror ?
Absolutely not but that ’s not needs a big thing . The Collectionisn’t a dramatic break from the torture horror writing style ; instead , it ’s a playful organic evolution on the usual excogitation for fans who still enjoy find out a grouping of people get torn asunder by rusty machinery and twisted traps . Dunstan ’s late film is not going to be for everyone but for revulsion lovers who enjoyedThe Collector , it ’s secure to say thatThe Collectionis an improvement in nearly every elbow room . In addition to a serial of fell killing sequences and an intriguing look inside the Collector ’s domain , the movie offers a number of knowing tongue - in - cheek riffs on standard repulsion tropes and a competent set of performances that help ground the flaming proceedings .
For anyone unfamiliar withThe Collectorpremise : in addition to sequential execution ( via booby trapped kill room ) , the Collector often selects a surviving victim as part of his " collection " - stuffing them in oversized causa case for later utilization . In the raw film , accumulator survivor Arkin ( Josh Stewart ) fly the coop during one of the madman ’s killing spree - watch unable to help as the murderer captures teenager Elena Peters ( Emma Fitzpatrick ) for his collecting . After the police force conk out to apprehend the Collector , and dread that the killer will eventually descend for his family , Arkin agrees to help a lookup and saving squad recruited by Elena ’s father ( Christopher McDonald ) and led by family friend , Lucello ( Lee Tergesen ) . Their missionary station : chance the collection , delivery Elena , and kill the Collector .
like toThe accumulator , The Collectionsees antihero Arkin once again forced to beguile saving his own skin against a gnawing heart of amber that force back him to rescue innocent victims . However , one movie removed from his conman / dependable - crack days and Arkin has actually grown into a protagonist that is significantly easier to plunk for . Given the additional layer of chronicle between the brace , Arkin ’s vengeful and outspoken hate toward the Collector is surprisingly fun to watch this round - especially when juxtaposed against the antagonist ’s silent lampoon and taunting . Considering the amount of preachy scoundrel who ask to excuse their sadistic actions , the Collector ’s simpleness is a welcome change of step in the genre - a choice that pee-pee the eccentric all the more creepy ( and downright entertaining ) when a flash of emotion manages to slip out .
As mentioned , the rest of the cast , lead by a solid performance from Fitzpatrick , finagle to keep any over - the - top moments grounded in credible latent hostility . Non - horror looker will notice plenty of the common fodder for criticism - quality that make sideboard - nonrational ( and life - threatening ) mistakes or have sudden modification of heart ( serving the plot rather of nuanced dramatic event ) but few of these mo detract from come through inThe Collection ’s main focus : tense and cringe - make splatter firm affright .
The kill in the picture do n’t carry as much weight as the reckon sequences in theSawseries ( for lesson ) butThe Collectormovies , with frantic fear and panic drive the characters toward painful mishaps and potential death , offer a unlike riff on the traditional kill trap data formatting . Instead of see a dupe competitiveness for their animation in a measured and torturous scenario , Collector horror is a Libra the Scales between frenzied near - misses and fleet kills . The Collectionups the tempo from the original film and , as a result , a few of the set piece ( as well as the larger Collector mythology ) move a scrap too fast to full capitalize on the buildup - which may undersell the enthusiasm of certain Collector lover who enjoyed the familiar scope ( and memorable end ) in the 2009 film .
Nevertheless , most viewers will probably savor the " bigger " weighing machine this round of drinks and the " collection " setting delivers a distorted penetration into the Collector that could not have been achieved in another isolated " obliterate family " chapter . Plenty of mysteries remain in the radioactive dust but Dunstan makes practiced use of goods and services of the Collector ’s " home base " characters , story , and dangers . Plus , while motion-picture fan might be grip on all of the line and gore , certain minute inThe Collectionoffer surprisingly beautiful onscreen viewing - especially a fiery moment toward the remainder .
At the very least , The Collectionpresents a competent and entertaining offering in a genre that has been wear out down by unblushing paint - by - number sequels . The movie is not going to bring home the bacon over gore film skeptics - it ’s an unapologetic celebration of splatter cinema . If the premise , a chemical group of mass locked in a warehouse who stumble into one spirit - imperil bunker after another ( with bloody results ) , does n’t fathom like an pleasurable viewing experience , there ’s no doubt thatThe Collectionwill likewise be abominable to learn . However , for unabashed fan of terror , or anyone who has delight body horror offerings in the past times , Dunstan has present a worthwhile ingress in the writing style - along with a issue of successful and entertaining variations to the format .
Arkin (Josh Stewart) and The Collector in ‘The Collection’
If you ’re still on the fencing aboutThe Collection , check out the trailer below :
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Emma Fitzpatrick as Elena in ‘The Collection’
The Collectionis Rated R for warm bloody violence , grisly images , language and brief nakedness . Now playing in theater .
The Collection is a follow - up to 2009 ’s The Collector , conduct by Marcus Dunstan . The film centers on a vernal woman name Elena , who is snatch by a masked human body and taken to a dumbbell - trapped warehouse . Arkin , the protagonist from the first film , is coerced into leading a team of mercenaries to deliver her . As they sail the sinister location , they face deadly traps and the problematical Collector .
