Memory
Taken , Liam Neeson ’s first functionary raid into this raw stage of his career as an activity ace , was released in 2009 . It may not feel like it was 13 eld ago because Neeson has made some translation of the same pic every year since , and they have been increasing in number as of previous . His latest action flick , Memory — accommodate from the novelDe Zaak Alzheimer(The Alzheimer Case ) and directed by Martin Campbell from a screenplay by Dario Scardapane — follows Neeson as an mature assassinator who begins to recede his memories and who possesses a special Seth of skills and decides to go after horrifying people . The synopsis sounds square , but there is a deficiency of balance from the start , and the cinema has an sick - mannered glide path to say a sensitive or impactful history about sex trafficking .
In the first 30 second , Memoryproves to be a pot . Alex ( Neeson ) , a contract grampus , is hired to kill a few key witnesses / participants of a law-breaking pool . This contract bridge intersects with Guy Pearce ’s Vincent Sera , an FBI agent hellbent on add down human trafficking . The two are connected by one cardinal witness , who Vincent wants to salvage , and Alex is rent to kill . Memoryhosts two competing stories that struggle to mesh . There is , of course , the story of Alex , the bravo with memory loss , and then a bighearted story regarding some heavy topic .
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The film suffers from a series of clichés and tropes . Guy Pearce plays the estimable FBI broker , while his screen pardner , Taj Atwal , play the foul - mouth and smart solitary woman agentive role . Ray Fearon play the unvoiced - bottom Black agent who impart Vincent a tough time by act as with FBI ’s politics . Harold Torres roleplay a Mexican agent who frequently and generously whispers or squall a peculiar smut . Natalie Anderson cameos as a chronically drunk prize wife , and Ray Stevenson plays a bland El Paso detective . No one feels real ; the characters are all impersonation . Aside from Neeson ’s Alzheimer’s - ridden assassinator , the only character of interest is Davana Sealman , make for by Monica Belluci . Sealman is the wealthy philanthropist with unsuspecting ties to the sex trafficking gang .
Memoryis too plain and by - the - number to raise much interestingness from the consultation . The film could have easily been divide into two , sooner follow Alex as he suffers from bouts of computer storage loss as he fights back against an unjust contract . The sex trafficking game is blandly line out and lacks sincerity . It is simply all too familiar and woefully unremarkable . The picture show time in at nearly two hours but , with its uneven pacing , paper - thin script , hollow characters , and the mismanaged story , the film feel excessively long and distraught .
Unfortunately , Campbell ’s directing here will never meet the standard that isCasino Royale . As competent a film maker as he is , there is a decided lack of creative flair or excitation in his directing onMemory , which feels decidedly footer . Memorycan be boiled down to its abstract and audience will sleep with incisively what they are getting . It ’s well that style as they wo n’t expect anything exceptional .
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Memoryopens in theaters on Friday , April 29 . The celluloid is 114 minutes long and is rated universal gas constant for for ferocity , some flaming simulacrum and words throughout .
Guy Pearce in Memory
Guy Pearce in Memory
