Hollywood is no stranger to all personal manner of post - apocalyptic dystopian movies ,   but Paramount ’s new   filmLove and Monsterstakes the genre in a much more light - hearted direction , trace a lovesick young man as he ventures through a world of monsters .   direct by Michael Matthews ( Five Fingers for Marseilles ) from a playscript by Brian Duffield ( The Babysitter ) and Matthew Robinson ( Dora and the Lost City of Gold , Monster Trucks ) from a tarradiddle by Duffield , it ’s define in a post - apocalyptical domain where much of humanity has die out and Earth is overflow with giant creature . Love and Monstersmay not be a wholly refreshed concept , but a clever script and Dylan O’Brien ’s charm make for a super playfulness adventure clowning .

InLove and Monsters , O’Brien stars as Joel Dawson , a 24 - year - old who ’s been living in a bunker underground with a group of fellow survivor since the ' Monsterpocalypse ' seven years prior . When he reconnects with his high schoolhouse lady friend Aimee ( Jessica Henwick ) over radiocommunication , he impetuously decide to travel the 85 miles to her colony and reunite with his dearest . The job is , Joel does n’t have much in the way of fighting acquirement or Orcinus orca instinct . That does n’t dissuade him , though , and gratefully he meets up with a cad nominate Boy who helps keep him dependable , and a twosome of survivors - Clyde ( Michael Rooker ) and Minnow ( Ariana Greenblatt ) - who learn him how to stay alive . Although Joel must contend with the monsters on the surface of the Earth , he ’s also   facing the insecurity of   whether he made the ripe decision to leave his colony and find Aimee , and it stay to be seen whether he ’ll subsist the monsters - or his love .

touch : Love and Monsters : How The World look Without Humans Clip

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AlthoughLove and Monstersis somewhat of a eminent concept sci - fi story ,   it   works because it follows classic conventions and search universal themes of love , rejection and   attain where you belong to   in the world .   It does n’t go too late into these radical , but there ’s enough geographic expedition of the human experience inLove and Monstersto give it some depth , making it more substantial than just monster picture spectacle . It also avail thatLove and Monstersis anchored around a   classic type of tarradiddle , that being a boy and his dog -   though   in this case , Joel and Boy are battle scary monsters . This help to toil the picture in a compelling moral force , while giving Joel someone to interact with when he ’s not around other people . In the ending , Love and Monstersis a   delicious mix of touching human story   and monster pic spectacle , even if it sometimes puree   under the task of balance these element .

Much of what makesLove and Monsterswork so well is actually   O’Brien ’s star turn . The doer was a breakout whizz from MTV’sTeen WolfTV show , play the nerdy and sarcastic best Quaker Stiles , and O’Brien brings a piddling of that same spell to hisLove and Monstersrole as Joel . O’Brien cede an excellent comedic carrying into action , but also has the range to toy the more serious moments , making Joel a well - rounded part . The histrion can even contain off a one - sided conversation with a dog without it operate too cartoonish . With few other characters inLove and behemoth , lease alone very many supporting part , the movie is O’Brien ’s to shoulder and he prove himself an exceptionally gifted steer . He ’s further supported by Henwick , Rooker and Greenblatt , who all work well with O’Brien to domesticate compelling moral force on filmdom . But they themselves are n’t hold too much to play with . Love and Monstersis O’Brien ’s moving picture to make or smash , and he ’s wizard , funny and captivating enough to make it make for .

While Duffield ’s script goes a long way in arrange a fresh twist on the apocalyptic dystopian story inLove and Monsters , there ’s sealed elements that sense a bit stale - or , at least , too evocative of other movies ' thingummy . For instance , Joel ’s narration ( give as letter he ’s indite to Aimee ) pair off with Clyde ’s lesson about staying alive feel all too   alike toZombieland’srules and Jesse Eisenberg ’s livery of them .   That ’s not to sayLove and Monstersis a ripoff ofZombieland , but it goes to show that Matthews ' moving picture is enter an fabulously herd genre and does n’t do quite enough to arrange itself aside as totally original . Perhaps its most endearing quality - beyond O’Brien ’s Joel and his human relationship with the dog Boy - is that   it delivers realistic looking monsters , using a mix of practical burden and CGI , that   harkens back to monster moving picture of the fourscore .   Ultimately , Love and Monstersattempts , but does n’t quite bring home the bacon in delivering the quirky , irreverent and one - of - a - kind Revelation of Saint John the Divine funniness - adventure it clearly desire to be .

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Perhaps it ’s for the beneficial , then , thatLove and Monstersmoved from a theatrical release in former 2021 to an on - demand launching this drop . While the monster spectacle and   straggle apocalyptical landscapes would see great on a big screen , there ’s something staring   in releasing a movie about leaving a bunker and venturing into   a new , scary earth at this moment in time . For those who do n’t quite feel safe enough to return to the field of operations , Love and Monsteroffers that escapist experience , trading a pandemic for a Monsterpocalypse . As such , Love and Monstersis decidedly deserving break out for those craving a raw picture and want to go on a   lighthearted   dangerous undertaking . It ’s not necessarily a must - see movie , but those who giveLove and Monstersa chance will no doubt be win over by this delicious distraction from our own scary world .

Next : Love and Monsters Movie Trailer

beloved and Monstersreleases on Premium Video - On - Demand Friday , October 16 . It is 108 minutes long and scab PG-13 for action / force , language and some indicatory cloth .

A collage image of Luke Skywalker in A New Hope

The post - apocalyptical movie Love and Monsters follows a young mankind who sets out to see his girl in a monster - infested world seven years after the apocalypse . Dylan O’Brien and Jessica Henwick wizard , with Michael Rooker , Dan Ewing , and and Ariana Greenblatt in support roles .

Dylan O’Brien and dog in Love and Monsters

Ariana Greenblatt and Michael Rooker in Love and Monsters

The post-apocalyptic movie Love and Monsters follows a young man who sets out to find his girlfriend in a monster-infested world seven years after the apocalypse. Dylan O’Brien and Jessica Henwick star, with Michael Rooker, Dan Ewing, and and Ariana Greenblatt in supporting roles.

Dylan O’Brien in Love and Monsters

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The post-apocalyptic movie Love and Monsters follows a young man who sets out to find his girlfriend in a monster-infested world seven years after the apocalypse. Dylan O’Brien and Jessica Henwick star, with Michael Rooker, Dan Ewing, and and Ariana Greenblatt in supporting roles.