Gravity
Gravity is nothing less than a five-star 2001 space odyssey for a whole new generation of movie lovers. Take the ride.
Gravitytells the harrowing account of specialist Ryan Stone ( Sandra Bullock ) , a scientist - turn - fledgling astronaut working on a space station that is short obliterated by an onslaught of space debris . In the thick of the cataclysm Ryan is thrown " off structure " and into vastness of infinite , with only veteran astronaut Matt Kowalski ( George Clooney ) still able to hear her yell for avail .
What follows next is a stride - by - punctilious - step play for survival of the fittest in the harsh kingdom of the existence , as Ryan must not only unspoiled physical obstacles , but also the genial / spiritual obstacles stand between her and the will to survive .
The brainchild of acclaimed Mexican managing director Alfonso Cuarón ( Harry Potter 3,Children of Men),Gravityis nothing less than a stunning ocular achievement wrapped around a self-colored plot line and yet another surprisingly expert performance from Sandra Bullock . In curt : it is one of the top cinematic experiences of the year ( so far ) - arguably one of the top cinematic accomplishment of the last few days .
From the very first section - a one - take tracking fritter that clocks in at close to 10 - 15 minutes - it is clear that , visually speaking , Curaón has created an experience unlike anything antecedently seen in movie house . It ’s potential that film schoolhouse essay will be written on this pic for years to come , so to keep things in simple-minded position : Cuarón is already acclaim as one of the few on-key auteurs in modern cinema , and this is decidedly his masterpiece . From the breathtaking filming and photography , to the impossible ( but stupefying ) tv camera movements - to the optical construct and set pieces that make superstar manipulation of outer blank space physics - this is directorial talent and vision on a whole other musical scale .
Even when the engineering hits a paries ( some moments in the film fall into that CGI " vale of the uncanny " ) , the ambition of what ’s being done , at the level it ’s being done , fill up in for the deficiency in F / X. 3-D showing is a must , IMAX if you could . Gravityis prime example of what so many film sports fan need : Modern filmmaking formats ( like 3D IMAX ) actually being used to further expound and push the bound of cinematic nontextual matter and storytelling . And thanks to Cuarón , it ’s all masterfully handled in this picture show .
Usually I ' m not one to address a film ’s profound innovation in a revue - but withGravityit is a must . The movie maker ' understanding of their unique setting ( space ) allow them to play with the relativity between sound and visuals in a manner that few other films get the opportunity to . Immense danger flies in on silent wing ; the only calendar method of birth control to a scene of megahit - dash demolition is the breath and whine of the lead actress , etc . This is a movie that commands the ear ’s attention as much as it does the optic ’s , and the interplay between the sound effect and composer Steven Price ’s ( The World ’s oddment , Attack the Block ) grandiose grudge - think Kubrick fit Hans Zimmer - elevate everything that Cuarón is doing visually , resulting in a complete feast of sensorial experience .
Gravityis a turning point in filmmaking , sure , but on paper the story it tells is ( slightly ) less noteworthy . The book was co - written by Cuarón and his boy Jonás ; it is , admittedly , a very lean and effective man of thrilling dramatic storytelling , with the writer also managing to inject some enceinte themes and deep emotions into the proceedings . However , when one pulls back and see it , Gravityis also a somewhat standard point - A - to - B survival thriller , which relies on many intimate - at times cliche - sub - genre tropes .
When the chase is on , affair are great ; when we stop for those inevitable moments of intimation - capture ( punning intended ) , the movie is still good , just notgreat . And because we are watch a chain of A - B - C catastrophe and challenges unfold into one another , second of breathing time - get in the film ( a.k.a . , understandably marked moments of character and thematic development ) lean feel even more extraneous and melodramatic - peculiarly when there is just one character onscreen to juggle them . Still , a film does ask narration development and the Cuaróns find a pretty impregnable aroused through - line to watch ; however , when the action and visuals take a back nates , Gravitydefinitely loses some of its gravitas , and could arguably be knock as check Sandra Bullock float around space for an hour and a one-half ( though such reductive thinking would be highly gilded , given the rotatory intent and execution of the picture show ) .
Thankfully , the cost of those developmental moments is tapered by another honest performance from Bullock . The actress proves to be a smart choice , in that she is able to find the pitch - unadulterated balance take to act a grapheme who is normally highly - intelligent , resourceful , witty ( and profoundly damaged ) , but has been thrown into a site of impossible panic and reverence . The role requires everything from multi - layered and insidious emoting ( often in close - up camera frame ) to some dizzying " wire - fu " acrobatics , and Bullock return on all fronts in highly convincing and impressive fashion . ( NOTE : Sigourney Weaver never had worry about athree - dimensionalscene in nothing but her space skivvy , but Bullock manages to own that moment , too ! )
George Clooney and Sandra Bullock in ‘Gravity’
As the only other actor we really see onscreen , Clooney is definitely going to be the more divisive element of the picture show . The persona of Matt Kowalski is a bright and suave foil to Stone ’s inexperienced and scare - stricken eccentric ; however , what is plump to distract some mass is the fact that they are on the face of it watch over George Clooney riffing on his own suave - guy persona , down to mid - crisis flirtations with his leave lady . Depending on how you experience about Clooney , the acting choice could gall you ; then again , Kowalski does impart the only veridical levity and relief from a lot of well - staged tenseness , and Clooney does gallows humor somewhat well , so take all that for what it ’s worth .
( NOTE : Yes , that vocalism from Mission Control you listen in the movie is actor Ed Harris , in case it was tease you . )
In the end , Gravityis one of those moving-picture show events that comes around once in a great while to remind us why theatrical viewing still obligate potential for a unique and unequaled cinematic experience . As a narrative and type vehicle for Bullock , it would still rate as a four - whizz picture - but given what Cuarón has done here for film as a sensitive , Gravityis nothing less than a five - star2001space odyssey for a whole unexampled generation of movie lovers . Take the drive .
[ poll parrot id=“690 " ]
Gravityis now in theaters . Is is 90 minutes farseeing and is grade PG-13 for intense perilous sequences , some commove images and abbreviated strong language .
Alfonso Cuarón ’s sci - fi thriller Gravity tells the level of Dr. Ryan Stone ( Sandra Bullock ) and Matt Kowalski ( George Clooney ) after they terminate up stranded in space after the wipeout of their shuttle . Faced with cheeseparing - inconceivable odds of survival of the fittest , the pair plan to get themselves safely back to Earth despite the relentlessly harsh reality of blank jeopardize to claim their biography at any moment .
