Drive My Car
Soft - speak and bittersweet , motor My Caris a poignant dramatic event unlike any other . Directed and co - written by Ryusuke Hamaguchi , the 2021 film is the news report of one serviceman ’s immense loss and the road he must travel as the one depart behind . Hamaguchi ’s picture show is surpassing ; the counselling strip forth the screenland , ask round the viewer to share — and almost participate — in the onscreen events . The hauntingly beautiful Japanese play takes audiences on an unforgettable journeying alongside supporter Yūsuke Kafuku ( Hidetoshi Nishijima ) , share in his experience of love , loss and acceptance .
labor My Caris an engaging film that tells an improper tale of relationship and self - uncovering . The screenplay is based on Haruki Murakami ’s unforesightful story of the same name , from his collectionMen Without Women . The admirer is role player and theater conductor Yūsuke Kafuku — in all probability a consultation to Franz Kafka ( Murakami also wrote the novelKafka On The Shore , which is a more overt nod to the influential author ) . Yūsuke is a tortured creative person . He channels his pain in the neck into his art , bring on and starring in tragical plays like Samuel Beckett’sWaiting For Godotand Anton Chekhov’sUncle Vanya . Yet , he drifts through life utterly untalkative , stoical to the point of being disconnected from the world around him .
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ab initio , Drive My Carhits the beats distinctive of a marriage - based dramatic event . Yūsuke loves his wife , Oto ( Reika Kirishima ) , but the two are emotionally distant . They lost their unseasoned girl some days ago , which may have caused the initial rift in their relationship . However , their problem are made worse by Yūsuke ’s lack of engagement . In a memorable picture , he walk in on Oto with a young actor in his layer . Rather than cause an worked up outburst , Yūsuke simply leaves quietly , continuing on as though nothing happened . Just as the plot seems poise to squeeze some sort of dramatic face-off between the husband and wife , Oto abruptly dies — and the moving-picture show truly lead off . Drive My Caris not a dramatic characterisation of a marriage crumbling ; it ’s a sedate reflection on grief and identicalness .
Despite the three - hour runtime , push back My Carnever feels overweening , bloated or dragging . Much like a long , well-heeled eventide cause , the plastic film lulls the consultation into a serene res publica in which metre feels non - existent . The flick ’s remnant is an almost disconnected conclusion to the dreamy , pathos - operose journeying . Two years after Oto ’s dying , Yūsuke incur a kindred spirit in Misaki Watari ( Tōko Miura ) , the young woman hire to drive him during his residency in Hiroshima . The two share many scenes in his red Saab 900 , the two peacefully traveling down long , curve roads . Like Yūsuke , Misaki suffered a great deprivation , and has shut herself off from others ; however , the tranquil drives they partake — scored by tapes of Oto recitingUncle Vanya — become a dependable space for vulnerability and empathy .
labour My Carpresents the unlikely distich as loth peers thrust together by fate . Yūsuke and Misaki are uniquely suited to attract to the other ’s sense of unacknowledged hungriness : Yūsuke filling the role of father , and Misaki , girl . And yet , it ’s never as clean as that , much like real biography . Neither can undo the hurt cause by the original deprivation . Hamaguchi fend off being hackneyed or devise , permit the relationship to develop into a hard - to - determine asexual intimacy — a perfect contrast to the detach sexuality between Oto and the Man she slumber with . Both Yūsuke and Misaki have lost commission in their life history , not only because they are grieving but also because they are chivy by subsister ’s guilt . It seems only meet that such a story would be plant in Hiroshima , with its deep connective to collective trauma .
There are many other rich eccentric and subplots to come upon inDrive My Caras well ; there ’s the untested , disgraced actor Kōji Takatsuki ( Masaki Okada ) , who struggles with self - control , and the mute actress Lee Yoon - a ( Park Yoo - rim ) , who turned to the theatre to get by with her inability to continue dance professionally . Even Oto impart an opinion as a complex , and ultimately tragic , figure . push My Caris a rich narrative that bid an unforgettable experience for TV audience , presented beautifully by Hamaguchi ’s attentive hand .
Ultimately , what makesDrive My Carsuch an effective moving picture is the cinematography and direction . The long , repetitive shots of Yūsuke ’s brilliant - crimson Saab against seemingly endless — and completely vacant — road channel a horse sense of a personal spiritual journeying . Great care is engage to avoid distractions . While there are people in the backgrounds of shots , they ’re often in shadows and slenderly out of focal point . Many of the scenes are pictorial and dramatic , deepen the tension bubbling under the surface of the hushed natural process . Yūsuke , and many of the people he encounters inDrive My Car , are impossibly stoical by westerly standard ; but beneath the civil , quiet public faces are souls that mourn , vociferation , craze , crave and love . Hamaguchi remind hearing that what goes unverbalized can sometimes be the most sinewy argument potential , but that being out of sense of touch with one ’s emotions is like living half - alive .
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Directed by Ryusuke Hamaguchi, Drive My Car is a Japanese drama movie that won three awards at the 2021 Cannes Film Festival. Released in Japan in August of 2012, the film follows a director and stage actor as he must come to terms with the sudden passing of his wife.
Drive My Carpremiered at the 2021 Cannes Film Festival and will be available to teem on HBO Max on March 2 , 2021 . It is 179 minutes long and is unrated .
conduct by Ryusuke Hamaguchi , push back My railway car is a Japanese drama moving picture that won three awards at the 2021 Cannes Film Festival . Released in Japan in August of 2012 , the film follows a director and stage doer as he must come to damage with the sudden passing of his married woman .
