Catching Dust
Being stuck in a hopeless situation , and a locating that has no other human in mess for miles , can make someone despairing enough to take extreme action . Catching Dust , write and directed by Stuart Gatt , hinges on this assumption . While it plays into certain first moment regarding characters and their family relationship , the film is a desert dramatic event brim with tension that ’s wounding so tight it could flick at any present moment . It play its cards right for the most part , progress suspense and creating intriguing character dynamics , even though its focal point gets too caught up in the climactic terminate more than anything else .
Catching Dustbegins with Clyde ( Jai Courtney ) , a rough , emotionally distant man who is hiding out in the Texas desert , taking a gun into a neighbor ’s mobile home . A gunfire is heard from within , a scream echoes in the aloofness , but it ’s unclear who was shot . The plastic film goes back in time , then , introducing Clyde ’s married woman Geena ( Erin Moriarty ) , an artist who is stifled by the apart life she contribute . She was told it was a temporary post , and Geena ’s thwarting was evident in every see to it action Clyde takes . He wo n’t rent her go into township , does n’t give her any answer regarding their halt , and used to hit Geena . Clyde , for his part , is stoic and paranoid . So you could suppose that he does n’t take it well when a wealthy New York couple , Andy ( Ryan Corr ) and Amaya ( Dina Shihabi , who is first-class ) , who have recently suffered a loss , arrive at the now - empty commune hope for a reset .
Watching the tale unfold is like await for the other horseshoe to expend . Clyde is stale , but he ’s also one of the more interesting characters . Perhaps it ’s the room he ’s written with a bit more astuteness , and Jai Courtney really sells the gruff , somewhat fall back demeanor , conduct himself with an cool despite being a edgy humankind who ’s always checking what ’s behind him . Whereas the other character , namely Andy and Amaya , are n’t given as much , and their dynamic is a case of insinuations rather than actual maturation . It ’s also easy to see where Geena is coming from considering her lifespan is so coop - like , and though there are a few clichés wrapped into her taradiddle , Erin Moriarty is beguile in the role , conveying Geena ’s hopelessness , trepidation , and the desire to go away by any way necessary .
That Geena and Clyde are more well - rounded as characters makes Andy and Amaya seem hollow by comparison . That said , it ’s the characters ’ exchanges that lift the film and turn the story into a more compelling one . They counterpoint one another , but they also divvy up similarities despite their socioeconomic statuses . They all use each other in one way or another , though Clyde draw close Andy and Amaya with paranoia , his brute , standstill - offish nature turn him into a terrifying force that is more obvious than Andy ’s polished exterior , which hides a lot of swarthiness as well .
Catching Dusthas a great buildup , tip intemperately into the suspense of the inevitable bandstand - off between the role . The ending is still abrupt , however , and there ’s a distinct feeling that the picture sheer niche to get to an termination that has been fight from the beginning , but nearly abandons the slow - burn development that came before . The picture show ’s finale does n’t jump it , but it does make the level a fleck less interesting . The initial focal point on the hopelessness and desperation , grief and want of independence and control was more than enough to persuade the story to its ending . Still , Catching Dusthas opus in place to make for an piquant , fascinating watch , particularly when its focus is on the two couples and how they take with each other .
Catching Dustscreened at the 2023 Tribeca Film Festival . The film is 96 minutes prospicient and is not yet rated .
Erin Moriarty and Jai Courtney in Catching Dust
Erin Moriarty asterisk in Catching Dust , a dramatic play flick from author - director Stuart Gatt . Geena ( Moriarty ) is an artist looking to make it big , hoping to leave behind her desert home and control / scurrilous collaborator , Clyde . Before she ’s able-bodied to leave , a new span from New York City move in next door , hop-skip to escape exactly what Geena require to head towards . What startle off as a friendly group meeting of neighbors devolves into a clangor of egos - with disasterous event .
